1
00:00:58,670 --> 00:00:59,670
Oh.

2
00:01:34,830 --> 00:01:35,830
Woo -hoo!

3
00:02:34,219 --> 00:02:35,760
Excuse me, I'm not back yet.

4
00:02:36,480 --> 00:02:38,320
Yes, shut up. Did you find the
accessories?

5
00:02:43,310 --> 00:02:44,390
Yes. Yes.

6
00:03:31,720 --> 00:03:32,720
Yes, or not.

7
00:03:33,040 --> 00:03:34,040
Simon?

8
00:03:34,140 --> 00:03:36,580
Simon, it's for me. What is it? It's for
me.

9
00:03:37,360 --> 00:03:38,360
Wait for me.

10
00:03:43,000 --> 00:03:44,000
Ah, hello.

11
00:03:44,900 --> 00:03:47,000
But no, it's not proposed to try to come
back for Belgium.

12
00:03:48,700 --> 00:03:49,740
Here, Tom Emmanuel.

13
00:03:51,380 --> 00:03:53,040
Hmm, very, very beautiful film.

14
00:03:53,500 --> 00:03:54,500
And Balear?

15
00:03:55,940 --> 00:03:56,679
Yes, yes.

16
00:03:56,680 --> 00:03:58,420
Besides, I imagine a very nice sunset.

17
00:04:00,540 --> 00:04:03,490
Hmm? 20 % of the signature and the rest
at the delivery of the copy.

18
00:04:04,650 --> 00:04:05,650
Understood. See you tomorrow. Goodbye.

19
00:04:30,990 --> 00:04:31,990
Ah, good evening.

20
00:04:32,090 --> 00:04:33,090
Yes?

21
00:04:37,430 --> 00:04:41,430
How could I entrust this film to the one
who was the greatest assistant? That's

22
00:04:41,430 --> 00:04:42,430
it, that's it, that's it.

23
00:04:43,170 --> 00:04:46,330
If you want to take someone else in my
place... No, no, that's not it. It's not

24
00:04:46,330 --> 00:04:48,290
that. It's just a tacheron without
ambition.

25
00:04:48,990 --> 00:04:51,710
Are you happy? No. So, what do you need
to be happy?

26
00:04:52,050 --> 00:04:53,430
Your sensitivity to express yourself.

27
00:05:10,120 --> 00:05:11,120
Oh.

28
00:06:16,590 --> 00:06:17,590
This is what we have.

29
00:06:18,770 --> 00:06:19,770
Way.

30
00:07:37,020 --> 00:07:44,000
Why don't you make

31
00:07:44,000 --> 00:07:45,160
this film yourself?

32
00:07:47,200 --> 00:07:49,120
C 'est vous qui avez mis en scène coup
de gong à Hong Kong.

33
00:07:49,900 --> 00:07:52,000
Celui -là, vous pourriez l 'appeler coup
de queue à Saint -Leu.

34
00:08:18,960 --> 00:08:19,960
You know how to dance?

35
00:08:20,160 --> 00:08:22,160
No, she doesn't know how to dance. No
one knows how to dance in this country.

36
00:08:22,920 --> 00:08:23,920
Hey, that's great!

37
00:11:37,070 --> 00:11:38,070
Hmm.

38
00:12:23,120 --> 00:12:24,120
Oh, oui.

39
00:12:24,240 --> 00:12:25,480
Oh, oui. Oh,

40
00:12:26,660 --> 00:12:27,660
oui. Oh,

41
00:12:28,100 --> 00:12:32,880
oui. Oh, oui. Oh, oui. Oh, oui. Oh, oui.

42
00:12:33,880 --> 00:12:34,599
Oh,

43
00:12:34,600 --> 00:12:36,080
oui. Oh,

44
00:12:37,240 --> 00:12:39,520
oui.

45
00:12:55,020 --> 00:12:56,020
No.

46
00:14:00,460 --> 00:14:01,860
Breathe.

47
00:14:03,780 --> 00:14:05,180
Breathe.

48
00:14:19,980 --> 00:14:20,980
Ah!

49
00:14:57,050 --> 00:14:58,050
Hello?

50
00:14:58,970 --> 00:14:59,970
No, I didn't read the script.

51
00:15:01,210 --> 00:15:02,810
But I'd like to see what's already been
shot.

52
00:15:03,110 --> 00:15:04,730
We don't see the interest. It's really
very, very bad.

53
00:15:05,230 --> 00:15:08,690
At least like that, I'll see what you
don't have to do. If that can please

54
00:15:08,730 --> 00:15:10,270
I'll warn the editor that you're going
to pass.

55
00:15:11,430 --> 00:15:12,430
That's it.

56
00:15:12,530 --> 00:15:13,530
So.

57
00:15:14,910 --> 00:15:15,910
Bye.

58
00:16:26,530 --> 00:16:28,510
I don't know.

59
00:17:49,770 --> 00:17:50,830
Oh. Oh.

60
00:19:30,540 --> 00:19:33,240
I'll show you the comedy effects.
There's one or two interesting things.

61
00:19:56,139 --> 00:19:58,080
Pascal Miller.

62
00:19:58,680 --> 00:20:01,400
Pascal Miller.

63
00:20:20,750 --> 00:20:22,050
No, I absolutely don't have the cure.

64
00:20:23,090 --> 00:20:24,090
How are you ?

65
00:21:44,590 --> 00:21:45,990
Oh.

66
00:21:53,080 --> 00:21:55,780
Say what you want. You improvise. tell
us about ourselves.

67
00:21:56,180 --> 00:21:57,860
About your sexuality, for example.

68
00:22:15,980 --> 00:22:18,760
I put the light between my thighs
to be able to really see.

69
00:22:19,280 --> 00:22:22,260
Then, with my fingers, I opened the
sex to watch it.

70
00:22:23,620 --> 00:22:28,520
It was like I... Sorry.

71
00:22:28,960 --> 00:22:32,860
It was like I was coming to the end of
a learning process.

72
00:22:33,240 --> 00:22:36,820
Accepting a naked body accepted me
myself.

73
00:22:39,520 --> 00:22:42,880
I have a penis. How beautiful.

74
00:22:43,630 --> 00:22:47,850
I'm not sure it's a good sex compared to
other sexes. But it's mine.

75
00:22:48,090 --> 00:22:49,090
I accept it.

76
00:22:52,490 --> 00:22:53,490
It's a little text.

77
00:22:54,230 --> 00:22:55,270
It's a little text.

78
00:22:55,630 --> 00:22:57,790
From a girl called Pascal Miller.

79
00:22:58,170 --> 00:22:59,190
But not you, Pascal Miller.

80
00:22:59,770 --> 00:23:00,770
It was me.

81
00:23:04,030 --> 00:23:05,030
Mom, I have to go.

82
00:23:05,350 --> 00:23:06,209
Kiss you.

83
00:23:06,210 --> 00:23:07,210
See you Sunday.

84
00:23:07,950 --> 00:23:08,950
She's a very good girl.

85
00:23:09,270 --> 00:23:10,290
Why didn't they hire her?

86
00:23:10,590 --> 00:23:12,250
Because she refused to make the film.

87
00:23:14,419 --> 00:23:17,900
So? What would interest me, in fact, is
to make an investigation film.

88
00:23:18,200 --> 00:23:19,520
To make women talk.

89
00:23:20,220 --> 00:23:21,600
But that has nothing to do with the
script.

90
00:23:23,200 --> 00:23:24,200
No.

91
00:23:24,300 --> 00:23:25,840
Indeed, it has nothing to do with it.

92
00:23:26,860 --> 00:23:27,860
Ah.

93
00:23:28,440 --> 00:23:29,440
Do you have a minute?

94
00:23:29,700 --> 00:23:30,700
Uh -huh.

95
00:23:35,000 --> 00:23:36,000
Take the number, Vero.

96
00:23:38,400 --> 00:23:39,400
Open it.

97
00:23:41,480 --> 00:23:42,480
Fuck yourself.

98
00:23:46,709 --> 00:23:47,709
Production Berger, hello.

99
00:23:49,190 --> 00:23:52,310
The only advice I can give you is to be
put in as often as possible.

100
00:23:52,630 --> 00:23:53,810
It seems that it makes you intelligent.

101
00:23:56,850 --> 00:24:02,610
Well, now that you're here, we'll have a
nice collection of extracts.

102
00:24:02,930 --> 00:24:03,930
Agent Berger, hello.

103
00:24:17,070 --> 00:24:18,070
Berger Agency, hello.

104
00:24:20,190 --> 00:24:24,370
Berger Agency, hello.

105
00:24:25,630 --> 00:24:28,370
Yes, I know you suck it,
but by telephone, it's not very

106
00:24:28,370 --> 00:24:30,610
practical. I just spoke with the
good women.

107
00:24:31,390 --> 00:24:32,390
Together, it's not sad.

108
00:24:32,670 --> 00:24:34,610
You need to send a Muriel.

109
00:24:35,270 --> 00:24:36,750
I don't really know how anymore. A
journalist.

110
00:24:37,310 --> 00:24:38,310
What's special about her?

111
00:24:38,770 --> 00:24:39,930
A loloche sphere.

112
00:24:56,270 --> 00:24:57,670
I don't know.

113
00:25:26,200 --> 00:25:27,200
But I can't go out, I'm stuck.

114
00:25:27,860 --> 00:25:28,860
Yeah, you have to take the cable.

115
00:25:29,960 --> 00:25:30,960
Well, cut!

116
00:25:31,620 --> 00:25:32,620
Muriel, one second.

117
00:25:35,440 --> 00:25:36,440
Muriel, how do you live?

118
00:25:37,140 --> 00:25:38,500
I move in every three months.

119
00:25:38,980 --> 00:25:44,100
I like to make love with men, with
women, with two, with three, with four.

120
00:27:44,939 --> 00:27:46,340
Attention.

121
00:28:06,030 --> 00:28:08,050
Ah, oui. Ah, oui. Ah, oui. Ah, oui.

122
00:28:09,550 --> 00:28:14,510
Ah, oui.

123
00:28:38,380 --> 00:28:39,500
Oh, yeah. Oh, yeah.

124
00:29:01,039 --> 00:29:03,840
Oh, no.

125
00:29:48,320 --> 00:29:50,260
I find it completely next to its bridge.

126
00:29:50,730 --> 00:29:52,430
We don't need our parents to learn to
kiss.

127
00:29:53,430 --> 00:29:54,610
Your father didn't come to see us.

128
00:29:55,150 --> 00:29:56,690
He's only interested in the game.

129
00:29:57,050 --> 00:29:58,050
He's playing with you too.

130
00:29:58,490 --> 00:29:59,490
You think?

131
00:30:00,070 --> 00:30:01,070
Simon is a cat.

132
00:30:01,430 --> 00:30:02,430
And you?

133
00:30:02,510 --> 00:30:03,890
A tiny little mouse.

134
00:30:04,390 --> 00:30:05,570
One day he'll eat you.

135
00:30:05,850 --> 00:30:06,850
No danger.

136
00:30:07,190 --> 00:30:08,950
He's already started with this movie.

137
00:30:11,570 --> 00:30:14,230
I'm filming in their living room, but I
have something to say.

138
00:30:14,970 --> 00:30:15,970
Melody is right.

139
00:30:16,530 --> 00:30:18,630
Melody? What about Melody? What's wrong
with her?

140
00:30:30,669 --> 00:30:36,630
What's going on?

141
00:30:37,150 --> 00:30:39,550
The lab forgot to pick up the sound of
sequence 27.

142
00:30:39,990 --> 00:30:40,990
What's going on?

143
00:31:03,810 --> 00:31:10,430
One of the simplest things that women
do. Once

144
00:31:10,430 --> 00:31:16,990
you're asleep, body against body, legs
entwined, pleasure is

145
00:31:16,990 --> 00:31:17,990
limitless.

146
00:31:20,720 --> 00:31:21,820
When did you record this?

147
00:31:22,380 --> 00:31:23,900
What? Pascal Miller.

148
00:31:24,180 --> 00:31:25,660
Oh, we did some tests with her.

149
00:31:25,940 --> 00:31:27,240
I have an extract of her book.

150
00:31:27,440 --> 00:31:28,440
Don't erase these bands.

151
00:31:28,700 --> 00:31:30,040
I have a head to erase the bands.

152
00:31:35,540 --> 00:31:37,180
82 ,000 points. Who says better?

153
00:31:37,720 --> 00:31:39,100
I won three bars in a row.

154
00:31:39,300 --> 00:31:40,300
One in two at the lottery.

155
00:31:40,840 --> 00:31:42,180
You have to find me Pascal Miller.

156
00:31:42,420 --> 00:31:44,040
I'm sure I can get great things from
her.

157
00:32:16,699 --> 00:32:18,100
Oh.

158
00:32:40,590 --> 00:32:45,190
I love you.

159
00:34:01,360 --> 00:34:02,420
When there's money, it's better.

160
00:34:02,800 --> 00:34:03,800
And when there's none.

161
00:34:04,420 --> 00:34:05,420
When there's none?

162
00:34:05,940 --> 00:34:08,100
Oh, we shoot where we find it.

163
00:34:08,380 --> 00:34:11,820
And anyway, for a girl, it's not really
a problem.

164
00:34:12,440 --> 00:34:14,060
We have a clear shot between the thighs.

165
00:34:52,009 --> 00:34:54,810
Oh, my.

166
00:35:22,879 --> 00:35:25,680
Oh, God.

167
00:36:18,250 --> 00:36:22,350
I don't know what you mean. If I'm not
wearing makeup, then I'm... Go on, go

168
00:36:22,490 --> 00:36:23,490
let's do the makeup.

169
00:37:21,900 --> 00:37:22,439
Do you agree?

170
00:37:22,440 --> 00:37:24,580
Once we're asked something else, it's
better than nothing.

171
00:37:25,080 --> 00:37:28,680
Did you make the commercial for Tim?
Yes, why?

172
00:37:29,560 --> 00:37:31,440
That's the role. Do you know what I'm
going to read by sending it?

173
00:37:31,780 --> 00:37:33,940
No. That's a guy who filmed the women.

174
00:38:01,310 --> 00:38:02,310
Oh.

175
00:38:03,190 --> 00:38:04,330
Oh. Oh.

176
00:38:49,299 --> 00:38:50,700
Mom?

177
00:39:10,900 --> 00:39:13,560
Oh, God.

178
00:39:14,360 --> 00:39:15,360
Oh,

179
00:39:20,800 --> 00:39:25,220
God.

180
00:40:16,860 --> 00:40:18,260
Chantal, they're going to interview me.

181
00:41:04,590 --> 00:41:05,590
Oh.

182
00:42:32,170 --> 00:42:34,550
Why? Why?

183
00:42:39,390 --> 00:42:40,590
How?

184
00:43:17,819 --> 00:43:19,580
Thank you.

185
00:44:01,390 --> 00:44:02,970
Oh! Pass!

186
00:44:54,940 --> 00:44:56,340
Oh!

187
00:45:25,610 --> 00:45:26,610
Arrivée Charlotte, première!

188
00:45:26,810 --> 00:45:28,190
Tu es malade, je dis que tu es en
retard.

189
00:45:28,450 --> 00:45:29,450
You don't have time to tell me.

190
00:45:29,530 --> 00:45:30,530
I'll try to take you.

191
00:45:35,250 --> 00:45:36,209
Stop, yes?

192
00:45:36,210 --> 00:45:37,210
It's really not funny.

193
00:45:37,370 --> 00:45:38,370
Okay then, what's going on?

194
00:45:38,710 --> 00:45:39,468
She left.

195
00:45:39,470 --> 00:45:40,470
She must have gone to buy again.

196
00:45:40,570 --> 00:45:41,870
You absolutely have to put your hand back
on it.

197
00:45:42,070 --> 00:45:42,988
No problem.

198
00:45:42,990 --> 00:45:46,710
You see, I find that between advertising and
the plague, there are not many

199
00:45:46,710 --> 00:45:47,710
difference.

200
00:45:48,530 --> 00:45:50,050
There, it's sun.

201
00:45:52,610 --> 00:45:54,450
There, it's erotic.

202
00:45:57,550 --> 00:45:58,550
It's porn.

203
00:46:11,410 --> 00:46:13,630
Well, Nicole, we're going to start
exactly the same thing.

204
00:46:14,310 --> 00:46:16,530
You, Rosé, calm down. Your face.

205
00:46:17,050 --> 00:46:18,690
Then you go down along your legs.

206
00:46:18,930 --> 00:46:21,510
And you come back up with your hands
under all these gestures. Okay?

207
00:46:21,990 --> 00:46:22,990
It's like this effect.

208
00:46:25,870 --> 00:46:26,870
Perfect.

209
00:46:27,640 --> 00:46:28,640
Nicole, 5 3rd.

210
00:46:29,920 --> 00:46:33,080
You see, I find that between the ad and
the party, there's not much difference.

211
00:46:34,440 --> 00:46:36,160
There, it's a deal.

212
00:46:37,760 --> 00:46:39,700
There, it's erotic.

213
00:46:41,280 --> 00:46:42,560
And there, it's porno.

214
00:47:12,680 --> 00:47:14,740
um um

215
00:48:38,090 --> 00:48:41,230
Oh, my God.

216
00:50:12,400 --> 00:50:15,200
Oh, God.

217
00:50:43,950 --> 00:50:44,950
Oh.

218
00:51:17,240 --> 00:51:19,000
No. No.

219
00:51:57,040 --> 00:51:58,040
It's erotic.

220
00:51:59,980 --> 00:52:01,340
And this, it's porn.

221
00:52:07,100 --> 00:52:09,720
When I see a girl, I can't help but
approach her. She's bigger than me.

222
00:52:10,000 --> 00:52:11,280
To kiss, it's 500 francs. What?

223
00:52:11,520 --> 00:52:13,260
500 francs? No, but it doesn't hurt. You
don't like them?

224
00:52:13,500 --> 00:52:14,780
No. Then get out of here.

225
00:52:32,520 --> 00:52:33,520
Oh.

226
00:54:21,359 --> 00:54:26,880
Eva, you're 24 years old, single,
without children, and you've been a

227
00:54:26,880 --> 00:54:27,880
for four years.

228
00:54:28,100 --> 00:54:29,100
How did it start?

229
00:54:30,450 --> 00:54:33,350
Oh, at first I found a job in Paris in a
normal way.

230
00:54:34,330 --> 00:54:36,450
It was out of the question for me to
make love with clients.

231
00:54:37,410 --> 00:54:38,410
I was free.

232
00:54:38,710 --> 00:54:40,190
The boss never forced me.

233
00:54:40,710 --> 00:54:42,470
So you made the decision to become a
prostitute.

234
00:54:43,390 --> 00:54:44,390
Why?

235
00:54:45,030 --> 00:54:48,210
When I realized that my colleagues from
work were making as much money as

236
00:54:48,210 --> 00:54:49,410
possible because they thought it was too
much.

237
00:54:50,170 --> 00:54:51,930
And that I was making money with chicks.

238
00:54:53,550 --> 00:54:56,010
So you decided to do the same thing as
your girlfriends.

239
00:55:09,549 --> 00:55:10,950
Ah.

240
00:55:48,340 --> 00:55:49,900
Oh. Oh.

241
00:55:54,020 --> 00:55:55,200
Oh.

242
00:55:57,140 --> 00:55:59,500
Oh. Oh.

243
00:56:00,440 --> 00:56:01,620
Oh.

244
00:56:44,810 --> 00:56:45,810
Bye.

245
00:58:28,360 --> 00:58:30,640
There's all the money you're going to
make on my behalf, thanks to this film.

246
00:58:36,460 --> 00:58:38,120
It's normal to go through moments of
depression.

247
00:58:38,520 --> 00:58:39,520
It's always like that.

248
00:58:40,380 --> 00:58:41,380
I have confidence.

249
00:58:41,500 --> 00:58:43,080
I'm sure you're going to make your film.

250
00:58:44,240 --> 00:58:45,240
You're nice.

251
00:58:46,140 --> 00:58:47,140
I don't deserve it, though.

252
00:58:48,500 --> 00:58:50,340
I was very unpleasant with you
yesterday.

253
00:58:51,580 --> 00:58:52,580
It's stronger than me.

254
00:58:53,220 --> 00:58:54,860
There are times when I have to unload my
aggression.

255
00:58:56,660 --> 00:58:57,780
It's better not to be there in those
moments.

256
00:59:04,460 --> 00:59:05,900
I want to go to the Cinémathèque.

257
00:59:06,660 --> 00:59:08,780
They have the most beautiful cinemas in
the world. Oh no.

258
00:59:09,380 --> 00:59:10,520
I want to see the stage of Degas.

259
00:59:11,760 --> 00:59:12,760
You don't want to come with me?

260
00:59:13,660 --> 00:59:14,660
You want to go with your husband?

261
00:59:17,180 --> 00:59:18,300
You don't have time?

262
00:59:19,180 --> 00:59:20,180
She doesn't look like it.

263
00:59:20,560 --> 00:59:22,300
No one has time in Paris. You're a
little crazy.

264
00:59:23,580 --> 00:59:24,538
No, but it's okay.

265
00:59:24,540 --> 00:59:25,540
No one has time.

266
00:59:25,660 --> 00:59:31,160
But yet, it's good to live, to listen to
silence, to walk without a goal, to

267
00:59:31,160 --> 00:59:32,800
love the wind, to taste the night.

268
00:59:33,160 --> 00:59:35,080
But no one has the time, no one has the
time to live.

269
00:59:35,580 --> 00:59:38,600
You grumble, you eat, you drink, you
die.

270
00:59:39,700 --> 00:59:40,840
But no one has the time.

271
00:59:41,200 --> 00:59:42,200
What a sadness.

272
01:02:41,070 --> 01:02:42,910
Do you think I want to answer all this?

273
01:02:44,750 --> 01:02:45,970
In your last book?

274
01:02:46,430 --> 01:02:47,990
I wrote it two years ago.

275
01:02:48,930 --> 01:02:49,930
Tell me.

276
01:02:50,090 --> 01:02:54,730
I decided one fine day that my body
belonged to me, that it was at the

277
01:02:54,730 --> 01:02:58,890
of my soul, of my heart, and that it
should only bring me joy and pleasure

278
01:02:58,890 --> 01:02:59,910
through my desires.

279
01:03:00,830 --> 01:03:06,670
The women I met until now, I knew them
through their lovers. And again, I know

280
01:03:06,670 --> 01:03:07,670
you.

281
01:03:07,710 --> 01:03:09,070
Why are you photographing me like that?

282
01:03:10,380 --> 01:03:12,940
Because I'm going to take your face
exactly after the last one.

283
01:03:18,360 --> 01:03:21,440
Now that you've photographed me from all
angles, can I film you?

284
01:03:57,130 --> 01:03:58,410
Pascal Miller, Une Première.

285
01:04:26,860 --> 01:04:28,040
We made a lot of love.

286
01:04:28,560 --> 01:04:31,580
The body of a child in pain excited him
enormously.

287
01:04:33,360 --> 01:04:34,360
Let's go.

288
01:04:36,040 --> 01:04:38,540
Motor. Pascal Miller, 6th grade.

289
01:04:41,360 --> 01:04:46,200
Do you think there could be erotic
relations between a mother and her

290
01:04:47,020 --> 01:04:48,280
Yes, very much.

291
01:04:48,960 --> 01:04:51,460
Touch the hands and the feet of my son.

292
01:04:52,040 --> 01:04:53,040
Kiss him.

293
01:04:53,260 --> 01:04:54,500
Take a kiss with him.

294
01:04:55,340 --> 01:04:57,560
It gives me very strong sensations.

295
01:05:01,960 --> 01:05:05,940
The only man who will love me when I'm
pregnant will be the father of my child.

296
01:06:31,560 --> 01:06:33,440
Do you want to listen to something in
particular?

297
01:06:34,040 --> 01:06:35,440
No, I don't care.

298
01:06:36,320 --> 01:06:37,320
Yes?

299
01:06:37,600 --> 01:06:39,060
Live and die, if you will.

300
01:07:14,220 --> 01:07:15,740
You had already come to London?

301
01:07:16,280 --> 01:07:18,100
Yes, when I was in high school.

302
01:07:18,640 --> 01:07:19,640
I love this place.

303
01:07:19,880 --> 01:07:21,700
A lot more things happen here than in
Paris.

304
01:07:23,100 --> 01:07:24,100
Are you all right?

305
01:07:24,920 --> 01:07:25,980
You must be tired.

306
01:07:26,840 --> 01:07:28,160
I'd like to make love to you.

307
01:07:34,480 --> 01:07:35,680
Thank you. I'll stop.

308
01:07:36,860 --> 01:07:38,080
I'd like to stop too.

309
01:07:39,300 --> 01:07:41,360
All right?

310
01:07:44,259 --> 01:07:45,300
I'm going to give birth to a baby.

311
01:07:45,780 --> 01:07:47,940
Do you want me to help you? No, no,
don't move.

312
01:07:57,940 --> 01:07:58,260
Have

313
01:07:58,260 --> 01:08:05,840
you

314
01:08:05,840 --> 01:08:07,340
ever been in love with a woman?

315
01:09:18,700 --> 01:09:20,140
C 'est l 'impression de jouer à quelque
chose.

316
01:09:21,080 --> 01:09:22,760
Je crois qu 'il aurait fallu que ça
arrive par hasard.

317
01:09:24,660 --> 01:09:25,660
Tu veux faire des thèmes?

318
01:12:38,420 --> 01:12:42,560
Oh. Oh. Oh.

319
01:14:13,100 --> 01:14:14,580
You're so beautiful that it's hard to
look at you.

320
01:14:19,980 --> 01:14:20,980
Don't bother me.

321
01:14:28,200 --> 01:14:29,200
What?

322
01:14:29,440 --> 01:14:30,440
Aren't we good?

323
01:14:32,300 --> 01:14:33,300
I love you very much, Simon.

324
01:14:34,560 --> 01:14:35,560
But I don't love you.

325
01:14:39,160 --> 01:14:40,160
I'm not asking you that.

326
01:14:42,470 --> 01:14:43,470
I want you.

327
01:14:45,110 --> 01:14:46,430
I want to kiss you.

328
01:14:47,530 --> 01:14:48,530
Not me.

329
01:14:53,310 --> 01:14:54,310
Follow me.

330
01:15:05,190 --> 01:15:06,190
Please?

331
01:15:12,460 --> 01:15:13,460
I wouldn't have chosen better.

332
01:15:15,440 --> 01:15:16,440
You fell for Vincent.

333
01:16:39,630 --> 01:16:42,430
Ah. Ah.

334
01:16:44,890 --> 01:16:46,790
Ah. Ah.

335
01:16:47,430 --> 01:16:48,830
Ah.

336
01:17:12,360 --> 01:17:13,360
Oh.

337
01:17:47,700 --> 01:17:50,500
Thank you.

338
01:18:52,070 --> 01:18:53,070
Hey,

339
01:18:57,210 --> 01:18:58,108
you have time?

340
01:18:58,110 --> 01:19:00,550
No, she doesn't have time. No one has
time. You're a teacher.

341
01:19:01,410 --> 01:19:02,870
You've already asked me the question.

342
01:19:03,310 --> 01:19:04,310
I'm not a teacher.

343
01:19:05,130 --> 01:19:06,710
But now I have all my time.

344
01:19:07,210 --> 01:19:08,610
Bravo! Bravo!

345
01:19:53,480 --> 01:19:54,480
Bye.

346
01:20:40,140 --> 01:20:44,940
That night, I went home with the
conscience that for the first time I had

347
01:20:44,940 --> 01:20:47,980
totally accepted my body, to which I
loved it.

